At Phonk Audio, we operate in a hybrid setup that combines software and analog gear. This allows us to merge the best of vintage analog organic sound with the flexibility of modern technology. Additionally, we pay extra attention to monitoring and optimizing the room acoustics to achieve the most neutral sound reproduction possible.

Monitoring
Genelec 8341 SAM™ Studio Monitor
Adam Audio F5
Auratone 5C
RME Arc
RME Fireface UCX
RME ADI-8 Pro

Console / controller
Asparion D700
SSL Six

Acoustics
GIK Acoustics Monster Bass Trap with FlexRange Technology
GIK Acoustics Turbo Traps

DAWs
Avid Pro Tools
Ableton Live
FL Studio
Adobe Audition

Analog Synthesizers
Yamaha CS-10 (1977)
Moog Prodigy (1979)
Technics SY-1010 (1980)
Roland SH-101 (1983)
Roland Juno-60 (1983)
Oberheim Matrix 1000 (1988)
Jen Pianotone J600 (1960s)

Other
Buffet Crampon SA 18 20 Tenor Saxophone (1952)
Sonor Champion (1970)
Fender Rhodes Mark I (1978)
Ibanez Jazz Guitar
Harley Benton Jazz Bass Guitar
Evans EG-601 Guitar Amplifier
Arturia MicroLab

Analog
Empirical Labs EL8 Distressor
Stam Audio SA-4000 MKii
SSL Fusion
Tegeler EQP-1
SPL Transient Designer 4 MKii

Digital
UAD Empirical Labs EL8 Distressor
UAD 1176
UAD LA-2A
UAD Manley Massive Passive EQ
UAD Pultec EQP-1A EQ
Waves API-2500
MJUC
Fabfilter Pro-L
Fabfilter Pro-Q 3
elysia niveau Filter
Waves TG12345
Soundtoys FilterFreak

Reverb & Delay
Roland Space Echo RE-150 (1979)
Yamaha R1000 (1987)
Alesis Quadraverb (1988)
Valhalla VintageVerb
Valhalla Room
LiquidSonics Cinematic Rooms
LiquidSonics Seventh Heaven
UAD Lexicon 224
UAD Hitsville Reverb Chambers
Soundtoys SuperPlate
Soundtoys EchoBoy
Waves H-Delay

Effect Pedals
Moog MoogerFooger MF-101 Lowpass Filter (1998)
Moog MoogerFooger MF-102 Ring Modulator (1998)
Strymon Deco
Electro Harmonix Soul POG